Circus Circus

By: John Jacobson & John Higgins

Link to Purchase: https://www.halleonard.com/product-family/PC15481/circus-circus-musical

Run Time: 20 minutes


Appropriate for:   

___Kindergarten

___1st Gr.

โœ…2nd Gr.

โœ…3rd Gr.

โœ…4th Gr.

___5th Gr.

___6th Gr.


Number of songs: 5 plus a reprise of the first tune

Number of Solos:  4 melodic and 2 rhythmic


___Unison

โœ… 2 Part (Independent)

___2 Part (Harmonizing)

___3 Part (Independent)

โœ… 3 Part (Harmonizing)

___ 4 Part (Independent)

___4 Part (Harmonizing)


โœ… Performance Track Available

โœ… Accompaniment Track Available

___ Singer Scores Available

โœ…  Choreography Included


Script:

โœ…   Rhyming Dialog

____Non-Rhyming Dialog (easy)

____Non-Rhyming Dialog (medium difficulty)

____Non-Rhyming Dialog (hard)


Circus, Circus is one of my all-time favorite musicals to direct! It requires LOTS of sequencing to make sure everyone does their โ€œthingโ€ at the correct point in the HIGH ENERGY songs. The message it sends about encouraging others makes me tear up EVERY time Iโ€™ve directed it…which has been three times!

Suggestions for success:

  • Donโ€™t do this show unless you have a stage. Iโ€™d love to say it will work on a gym floor with the audience set around, but there is SOOOO much that happens! Audience members wonโ€™t be able to see the tumbling and clown antics if itโ€™s not elevated in some fashion.
  • GET THE GYMNASTIC MATS from your PE guy/gal for EVERY rehearsal in the music room and on the stage.  
  • Give students the jobs of assembling and disassembling the mats. Practice EVERY time (music room and stage).
  • Make sure you have, at a MINIMUM, six students to showcase for the two feature songs: Clowns and Lions 
    • Alsoโ€ฆfor your sanity, assign all of them in ONE class, donโ€™t spread over to other classes. It will save time rehearsing the sequences…you only have to do it ONCE a day instead of 2-5 times with each subsequent class!
  • Before assigning parts, quiz each class, who has: a clown costume, a wrestling singlet, gymnastic abilities (even test them), animal print clothing, etc. 
  • Have some students assigned to โ€œclean-upโ€ detail…when you practice the clown song, they are responsible for sweeping it up and dumping in trash can.
  • ALWAYSโ€ฆ.ALWAYS…Iโ€™ll say it again..ALWAYS have backup soloists in EVERY class. It helps the students know whatโ€™s going to happen vocally AND youโ€™ve got someone to fill in during mass rehearsals or the day of the show.

Scenery: Honestly, I just used red and white butcher paper that I cut  lengthwise in half and alternated hanging white and red for the backdrop.  For the front of the stage, I purchased and hung 3โ€ wide crepe paper ribbon (have the prom committee share their vendor for this!)  from the floor to the curtain valance…again alternating red and white. Then I tied them back at the sides, to create the illusion of a circus tent opening. In the VERY Middle of the valance, about 9 foot worth, I just hung short lengths of the 3โ€ crepe paperโ€ฆ.I always thought it looked sort of like bangs framing a face.  The stage ALWAYS looked FANTASTIC, and the audience was SUPER impressed!


Props

  • Kazoos…The whole group doesnโ€™t HAVE to use them, you can have a small group of kids be a โ€œmarching bandโ€ and walk around in order. I borrowed marching band hats from the high school to make them feel and look SUPER legit!
  • Fake Barbells (2): I used a long wrapping paper tube covered in black butcher paper…Then I blew up two large balloons for the weights. I attached them through the tube with paperclips and then rubber bands. Finally, I wrote with โ€œwhite outโ€ 1000 on each barbell end.
  • Fake Flame for swallowing: I purchased some orange cotton candy sugar, borrowed a cotton candy machine and fashioned cotton candy flames for the fire swallower. Word of caution: Donโ€™t make the day ahead, they will be nothing but sugar for show day. Also, youโ€™ve got to practice this swallowing with the student whoโ€™s going to do this job.
  • (optional): Hula Hoops, ribbon streamer wands, etc: for the gymnastic opener and/or the clown feature…the more going on, the better!
  • Bucket with confetti in it: for the clown feature!
  • Whistles (2) for a clown battle

Costumes:  Thereโ€™s quite a few!….but AGAIN, itโ€™s worth it!

  • Clowns
  • Lions: 
  • Ringmaster hats: NEED ONE
  • Elephants: 2 minimum
  • Tightrope walker
  • Marching Band (Optional)
  • Mouse
  • Flame swallower
  • Lion Tamer: Any kind of animal print clothing
  • Strong men: wrestling singlets with a t-shirt underneath

Individual Song Information/Suggestions:

When the Circus Comes to Town: HIGH energy opener. I featured tumblers (with gymnastic mats, of course) in the accompaniment introduction. Things are happening literally EVERYWHERE on the stage…ALL AT ONCE!  It ends with 3-pt harmonic optional ending chord.

Who Wants to Be the Ringmaster?: Will require three good soloists! The directorโ€™s score indicates that six more soloists can sing minor parts. Personally, for ease of flow and transitions, I just split them between the three that were already featured on the verses.

The โ€œManeโ€ Event: Features the LIONS of course! Also features two rhythmic soloists who can project and personify the LION attitude. Even though this is the LION feature, I had everyone sing the whole song, except the soloist parts. The chorus joined choreography onโ€ฆ.obviously the CHORUS!

Clowning Around: Crazy, CRAZY feature for the clowns! Think โ€œKeystone Kops.โ€ Thereโ€™s soooo much going on (hula hooping, attempted juggling, whistle blowing, tumbling, etc.) that the audience wonโ€™t know where to watch next! I utilized the gymnastic mats again for this one! This is the hardest song to figure out the timing, plan on devoting some time to it!

Sad Clown: Will require ANOTHER fantastic soloist who doesnโ€™t struggle at matching pitch. He will be in the clown feature AND this one!

Reprise: When the Circus Comes to Town: Similar to the beginning, just not as long. I did NOT have students tumble on the stage for the Reprise.


Adaptations I made to the script: 

#12 was changed to Ring Master #3

#13 was changed to Ring Master #2


If youโ€™ve directed this musical, PLEASE feel free to share any thoughts and adaptations you did. Weโ€™d all love to hear how you made it your own!

Iโ€™d also love to include YOUR CRITIQUE of any musical that you found to be successful or NOT successful!  https://docs.google.com/forms/d/e/1FAIpQLScNHxH3wAo98Hu4jFsKbBM2lUYgqnVXLRUo7HcgZTQz1U7-jQ/viewform

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